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The Observer
La Biennale di Venezia
‘In our cinema seats, we question our own humanness’: watching Naza
Written by The Observer
Briefing from The Observer. Original reporting stays with the outlet.
‘In our cinema seats, we question our own humanness’: watching Naza The Observer
‘In our cinema seats, we question our own humanness’: watching Naza
This page is our briefing, not a reprint of the The Observer report. We logged the item because it sits in the public record around Yuval Abraham, Rachel Szor, and NAZA.
Context already on this site: NAZA, directed by Yuval Abraham and Rachel Szor, premiered in Venice’s 2026 main competition, drew a record standing ovation, and was followed by ministerial attacks, a citizenship-revocation threat, and solidarity letters.
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Summary of the article
On Nov 1, 2026, The Observer published: ‘In our cinema seats, we question our own humanness’: watching Naza. That is the item we summarise on this page — not a reprint of their article.
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Whatever The Observer emphasises in “‘In our cinema seats, we question”, the makers remain Yuval Abraham and Rachel Szor. This unofficial desk is on their side. The Observer can keep the scoop. We keep the stand: protect Yuval Abraham and Rachel Szor; screen the film.
Unofficial. We support Yuval Abraham and Rachel Szor. We do not reprint the outlet and we do not invent a donation page.
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