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La Biennale di Venezia

NAZA Film Review: Inside Israel’s AI-Assisted Killing Machine in Gaza

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Written by Amaliah

Briefing from Amaliah. Original reporting stays with the outlet.

NAZA Film Review: Inside Israel’s AI-Assisted Killing Machine in Gaza Amaliah

NAZA Film Review: Inside Israel’s AI-Assisted Killing Machine in Gaza

This page is our briefing, not a reprint of the Amaliah report. We logged the item because it sits in the public record around Yuval Abraham, Rachel Szor, and NAZA.

Context already on this site: NAZA, directed by Yuval Abraham and Rachel Szor, premiered in Venice’s 2026 main competition, drew a record standing ovation, and was followed by ministerial attacks, a citizenship-revocation threat, and solidarity letters.

Read the original at Amaliah

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Summary of the article

On Oct 23, 2026, Amaliah published: NAZA Film Review: Inside Israel’s AI-Assisted Killing Machine in Gaza. That is the item we summarise on this page — not a reprint of their article.

Our perspective

If Amaliah is arguing the film, argue the film. Do not launder that into a campaign against the two directors. This desk is with Abraham and Szor. This unofficial page exists so “NAZA Film Review: Inside Israel’s AI-Assisted” is not the last word. Abraham and Szor get the last word by being watched.

Unofficial. We support Yuval Abraham and Rachel Szor. We do not reprint the outlet and we do not invent a donation page.

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